Mar 11

These are the mermaids I found walking along Venice Beach in January. Yes, I am still posting photos from January. These sweet girls were sitting there, watching everyone pass them by. I started to pinhole them and the mermaids father came over to talk to us (Gary was there too) and it turns out that she really is a mermaid! The girl on the left, her name is Sirena, which means mermaid in Spanish. Her father also told me that she has grown up on the beach and he took last summer off to teach her how to surf. How sweet is that!
This blog will be my thoughts on my current and past work, as well as what is to come… I am actively showing work. I have work in an exhibit in France right now and on April 4th, I’ll have work at the Herberger Theater in Phoenix, and in June, I am co-curating and will be exhibiting in an exhibit at The Trunk Space in Phoenix. Oh, and I can’t forget to mention the photography installation Gary and I are doing at The Icehouse in May for fashion designer Kristin Dinnis.
I am ready to have a WOW, solo show exhibit. I’m ready for the art critics of Phoenix to glorify me with their words. I am ready to take that next big step and show in well known galleries. I’m ready to leap into my next career as Pinhole Photographer. I am a pinhole photographer and I have been for quite some time, but I finally feel ready to make my living from my passion.
I’ve been working on my other website since January, picking the new photos, pouring through negatives, flickr albums, cd’s of hi-res files…. looking for the best images, the images that will get me hired and noticed… and the funny thing was the majority of my work is portraiture. I never considered myself a portrait photographer until just recently.
In fact when I was in undergrad at good ol’ Columbia College Chicago I absolutely despised taking portraits. I would argue with my professors; I would be a smart-alec and say my image was an abstract portrait. I was a photojournalism major and I did enjoy photographing people, which is very different to me than photographing a portrait of a person.
I really like to think of my work as pinhole documentary. It has a element of fine art due to the non-traditional format, but I take my pinhole camera with me and I document what I see. Although, you could argue that all photographers are documentary photographers to some extent…
When I picked up my first pinhole camera after I graduated from college, I had no idea that such beautiful portraits could be made. I originally bought the camera because after I had seen the Andreas Gursky exhibit at the ASU Art Museum I had a dream. My dream was of large prints like his, but they were of sunsets. Not the whole sunset, just the very middle of the image, printed HUGE. I actually tried to do it, but it didn’t translate as smoothly as I had hoped.
I can’t remember my first pinhole portrait but I know I was living in NYC when the thought occurred to me. I also tried to pinhole as many friends as possible before I left, but was only truly happy with the portrait of Max Midroit, one of the most incredible piano players in the world. That link leads you to his flickr page, definitely check it out, he finds the funniest scenes in NYC.

I still consider this pinhole one of my best. We were in a practice room at NYC, where he was getting his PhD in Piano playing! I’m sure there is more technical term for that, but how amazing is that, dedicating your whole life to your greatest passion!
Oh! Now that I think about it, this pinhole of Gary in the desert was before the one of Max (above):

This may have been my first official pinhole portrait. I was visiting him one summer while I was living in NYC and before our shoot we drove all over Phoenix looking for a cowboy hat. I had no idea how hard it would be to find a simple prop, apparently in Phoenix they take their cowboy hats pretty seriously and I wasn’t about to dish out that kind of money for a prop. This pinhole of Gary is still one of my favorites today. I did this one without a tripod. I started using a tripod to do pinhole photos about 3 years ago.
I would say the majority of my pinholes are now with a tripod or a make-shift tripod, meaning anything that will work to keep my camera still in the location that I want it to be. I’ve even used my head as a tripod, but I still get a little blur that way.
I think the perfect pinhole images are a mix of subtle blur and crisp objects. I think when you have blur on blur, the effect can appear messy. I like to think that my pinhole camera captures the energy from within and the blur is your energy. Too much energy, is just too much energy.
I used to think ‘who would want to buy a portrait of someone they do not know’? BUT now when I look at my pinhole portraits I can definitely see someone adding it to their art collection, regardless if they know the person or not. They are just beautiful pieces of art and will add character to any home.
I was eating breakfast on Sunday morning at that new restaurant I just blogged about, Over Easy, reading the Fashion Magazine from the New York Times and they dedicated a whole section to this portrait photographer. His portraits were wonderful. It was at the very moment that a CFL-bulb turned on in my head and I thought, my portraits could totally be in that magazine. Maybe not today, but I am definitely heading in that direction. It was also at that moment that I really thought I could pull off an exhibit of my pinhole portraits.
On Saturday Marilyn Szabo told me we needed to do an exhibit together. I was ecstatic and all for it and even thought, I’ve been wanting to exhibit my pinhole portraits and this would be the perfect opportunity, but it wasn’t until Sunday, while I was flipping the pages of that magazine that I realized… YES, I CAN EXHIBIT AND SELL MY PINHOLE PORTRAITS!
…it’s funny sometimes how life turns out… I never wanted to do portraits… but when the thought crossed my mind in NYC, I told my idea to someone, who told me, it can’t be done, that pinhole cameras are not for portraits… which obviously led me to prove that person wrong (even though I can’t for the life of me remember who told me that, I just remember fuming because I don’t like it when people tell me I can’t do what I want to do)… to this… LOVING pinhole portraits… and picturing them eventually in a museum.
I had more thoughts, but I’ll have to save them for another day, my lunch break is over at work and I must get back to researching recycling coordinators for each city in Texas. Fun. Fun.